thirty threadbare mercies

The outward expression of an inward grace.

Oh, Yoko! April 30, 2012

Filed under: Art,Artists,Community,Dance,Inspiration — rheabette @ 5:27 pm
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As soon as I closed my eyes and found my center, there in the middle of a circle of my fellow artists, their eyes patient witnesses to my movement, I realized, “Woah. This is going to be really dark.” We were doing Authentic Movement, which, in case you’re not familiar, is a therapeutic technique to use movement to get in touch with your unconscious. Apparently, my unconscious held a barren landscape, with eerie afternoon light and perhaps a well that a demon spirit girl was about to crawl out of. I followed the movement, and it became more and more intense. At one point I was banging my head, very slowly and methodically, against the hardwood floor, which later my witnesses told me made them want to rush in with a pillow to protect my little skull.  I felt a power rising in my body as I moved, to the point that I was overcome by the energy coursing through my limbs, causing me to terrify my witnesses again by whipping my head and torso around at an alarming velocity. Finally, in a spin with my arms outstretched, I erupted in a bit of a giggle, as I was imagining myself turning into a superhero, rising from the depths to kick some major ass. It was deep.
Then I got home and saw that day’s installment in Yoko Ono’s 13 Days Do-It-Yourself Dance Festival:


As you may remember, Yoko was recently a source of major wisdom that came to me in a dream. And then this — her suggesting I bang my head, after I spent an Authentic Movement session doing exactly that. Coincidence? Or some kind of collective unconscious link between she and I? And her question is an excellent one. Is it really such a catastrophe to live without your head?
I have been in my head a lot this week, and it keeps taking me to a place I detest being in: guilt. I am seriously in need of taking my own advice. Recently, someone in my husband’s life was trying to make him feel guilty about a choice he made, and I had a rare moment of sheer brilliance. I texted him:
Guilt is spiritual cancer. Radiate that shit with love.
What a good message for me to remember this week, when guilt about many different things is weighing my head down, making me want to bang it against the wall until it dissolves. So, I will keep dancing, keep listening to Yoko, and start a serious love radiation on all the places in me that feel heavy with guilt.

I need to take some fashion inspiration from Ms. Ono as well, as she's Meowtown in those hot pants.

 

Secret Agent Dancing, Bloggess-book Reading, Toddler Wrangling: Resume Skills 2012 April 27, 2012

Perhaps, at this point, you are assuming that The Year of Enough means “enough with the blog posts!”, because I have been so silent the past 2 weeks, when I usually post twice a week or so. However, I’ve just been so busy living my life that I have no time to write or reflect on it. So, what the heck have I been doing? A lot of rehearsing for various performances, for one. We had our final rehearsal for Listen To Your Mother San Francisco, and it was so affirming that this show is an amazing storytelling adventure. If you have ever had a mother, been a mother, or known a mother, you will like this show. I’m so very excited about it.

I’ve also been in rehearsals for a super-secret flash mob, that we set off without a hitch (okay, a couple people had injuries, since it was such a tight space, but no ambulances were called) at the SF MOMA Modern Ball Wednesday night! It was incredibly exciting to be super stealth, set into the crowd like uncut jewels in a sea of A-listers wearing blood diamonds on their designer dresses and Botoxed skin. The star sightings were all very Bay Area, but fun nonetheless — Congresswoman Nancy Pelosi, former Mayor Willie Brown, SF Chronicle writer Leah Garchick, and gazillionaire Ann Getty. As the time for the big reveal approached, I found myself wondering if these people would really appreciate this or not. Their faces were not only frozen from cosmetic surgery, they were lifeless from years of getting everything they want, and being catered to. They had also paid $125-500 to be there that night, and expected to be entertained. Once the flash mob started, with our wonderful teachers in the center, shaking it to a belly dance routine, and then my classmates joined in little by little, dancing to a James Brown number, the crowd around me did react.

“It’s a flash mob,” one tuxedoed man explained to his date. “Are they just doing this spontaneously?!” she asked. “No, they practiced!” he looked at me knowingly. I shared in his wonder that all this was happening right there in the lobby of the museum. And then I leapt into the fray, spinning my way into the mass of dancers as the music changed from James to the Black Eyed Peas. It was a blast, it was close quarters, some people got stepped on, some members of the audience totally got it and danced along with us, others recorded it on their phones, and, sadly, still others gave us a “golf clap” and went back to their elixirs and sure-to-be-riveting conversations about Muffy and Biff’s divorce. If I sound a touch jaded, it’s because this is the crowd that I usually find myself protesting against, rather than trying to delight. However, I wasn’t doing it for them. I was dancing simply for the joy of dancing, and because I am so in love with the actual building of the SF MoMA that any reason to be there gives my heart a bump, and now I have a wonderful memory of a covert dance operation, every time I go there (usually on the free days) to check out the art.

See if you can find me in the video below: I’m wearing a teal dress and I enter on the top left.  I couldn’t extend my arms all the way, in fear of knocking out my fellow dancers, but it was still fabulously thrilling.

So, what else have I been up to?  A lot of reading, as all of a sudden all of my reserved books at the library came in at once.  My favorite, however, has been one I pre-ordered on my NOOK Color, knowing I couldn’t wait the requisite 6 weeks for the library copy to free up.  Jenny Lawson’s memoir, Let’s Pretend This Never Happened, is so hilarious and mildly offensive, that you should perhaps save it for a week that you know is going to be a total shitshow, like the week you do your taxes while your least favorite relative takes over your bed and you sleep on the floor where you have nightmares of rats eating your baby.  But you may be wondering, is it for me?  Well, see if you fit into any of these categories:

People who will enjoy Jenny Lawson aka The Bloggess‘s new book:
1. Taxidermy Enthusiasts
2. City Dwellers who want to feel affirmed in their choice to never, ever live in the country.
3. Psychotherapists or other folks interested in how people with mental health issues battle their disease with a hefty dose of humor (and a lot of drugs).
4. Skanky Unicorn Fetishers.
5. The large quantity of my Facebook friends who for some reason think that Jesus was a zombie. (Zombies are created from a flesh-eating bacteria/virus infected monkey biting a human, which turns said human into the cannibalistic undead. Jesus resurrected, and didn’t try to eat anyone. THAT WE KNOW OF. But somehow I think if the zombie apocalypse happened way back then, the world would look very different these days)
6. Folks who enjoy laughing at others’ misfortune, but, you know, in a good way.
7. Anyone who ever wondered exactly HOW Ms. Lawson got so fabulously bizarre. The context makes reading her blog so much more satisfying.
8. Parents who have ever been concerned about what to do with their children while they are protecting their dead dog’s carcass from a pack of wild vultures.

So, most people, really.  Finally, I’ve been doing my requisite amount of running after Olive, and questioning my life choices. Joel and I went out for a drink and dessert on the night of his birthday, while friends of ours watched Mystic Pizza at our place with Olive snoozing in the next room.  Over delicious drinks and terrible foodie ice cream (sometimes they just overthink it way too much and it comes out tasting like yoghurt with gum sauce), I told Joel how much I was struggling with the toddler years.  Olive is a kid that requires an intense connection and engagement, something I totally love about her and is completely killing me at the same time.  So, here I am, really struggling with being with her 24/7, and here she is, REALLY REALLY HAPPY.  It’s hilarious, actually.  Olive is undeniably happier every day with me than she was when she was with her nanny 3 days a week.  I am not making any kind of statement about anyone else’s childcare situation.  God forbid I get involved in something as ridiculous (and totally media-driven) as the “Mommy Wars”.  But sitting there, Joel and I both agreed that it is a really good deal.  I may be in physical pain, losing my mind on a daily basis, but the results are incredible.  Our kid is insanely happy, and I get to witness her growth, changing second by second, wildly spinning into the person she was meant to be.

There's Olive on the left, creating her first band before my very eyes.

 

The Year of Enough April 16, 2012

Filed under: Christianity,Community,Friendship,Marriage,Work at Home Mom — rheabette @ 11:35 am
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I love that my birthday comes around Easter time, every year. It gives me a chance to reflect on new life: what is coming alive in me, after another revolution around the sun? I turned 31 on Saturday, and it’s a pretty blah number. After the triumphant horn blast of 30, “I survived my 20′s!!”, 31 just feels like, well, getting older. So, I decided to create a theme for my year, to center myself and change the narrative from “one step closer to the grave” to “what do I want for this new year?”

I decided on: The Year of Enough. Am I talking about the J-lo domestic-violence-revenge movie?  Nope.  So, what the heck does it mean?  First of all, it means feeling like I am enough, just as I am. Stretch marks, wrinkles, grays, all the signs of age, I don’t need to change them or try to turn the clock backward. My body is enough. I am enough in my career, even though it is in flux right now and I often don’t know where I am heading in my work life. It is enough to be raising my small daughter and making the steps I am towards creating a life of meaningful work and financial sustainability. I don’t need to be there yet. I am enough, even when I don’t really know “what” I am anymore. I know who I am, and that is infinitely more important.

The Year of Enough also means finding balance, knowing when I’ve had enough of a particular thing, and putting it down before I go overboard. Recently I got food poisoning for the second time since January, and all because I wasn’t really paying attention to what I was eating, just shoveling everything in as fast as I could, enjoying it plenty but not thinking at all about the effects on my body. It is an embarrassing and irritating habit, as this time it meant I had to miss Easter Sunday!

Finally, the Year of Enough means doing some relational work, identifying when I’ve given too much and need to regroup. It also means letting people in and letting them love me in the ways that they can, letting that be enough as well. Part of what is hard about having a birthday is letting people celebrate you. Everyone has a myriad of feelings about themselves, and it’s hard to allow your birthday just be a great big exclamation point, “I exist!”, when you feel a lot of ellipses… and commas after great big buts, BUT, it is a time to let yourself feel loved, even when it seems like a debt you can never repay. Because you can’t. Proper love is not earned, deserved, or justified — it is unconditional, irrational, and, at times, uncomfortably stretching, like a back-cracking hug.

Some days, I just feel like Ezra Pound:

And the days are not full enough
And the nights are not full enough
And life slips by like a field mouse
Not shaking the grass

I think the only way for me to accomplish feeling enough is through my spirituality. After I wrote my blogiversary post, even though it was really positive, all I could see was the things I HAVEN’T accomplished this year. I have thoughts about not being enough about 30 times a day, at least. The only thing that brings me back is the fullness of feeling at one with Spirit, an ever-flowing Love that, though I may feel it ebb at times, never runs out.

I believe that the best way to interact with that Spirit is through meaningful relationships with others, complicated as it may be to try to love another contradictory ball of beauty-mortality-ideas-flesh.  I had two dreams about my father right around my birthday, and in the second one, I found a mass of papers in his old, huge wooden desk, and, scrolled in his looping handwriting was, “The Five Secrets of Life”, only one of which I got the chance to read before the evil nuns (!) found me.  But I think it was enough.  The gem I got was a quote from Yoko Ono (my dad was not an Ono fan, this was my own subconscious’ creation) about interdependence.  I think the connection is that the only way I will gain this feeling of enough is through depending on others and letting them rely on me as well.

My husband Joel and I, leaning on each other at our joint birthday party picnic.

I’m sure the Year of Enough will reveal its lessons to me, and they will be myriad. How about you? What are you saying “enough” to, and what are you coming alive to this year?

 

My Blogiversary: One Year of Thirty Threadbare Mercies! April 11, 2012

When I told a friend yesterday that I was working on a post for my Blog Birthday, her face lit up like a paper lantern, and she exclaimed, “Yay!  Congratulations!”, laughing and clapping.  I was completely surprised that she was genuinely excited, to learn from her that she loves my blog and looks forward to each post.  I’m shocked every time I hear that people care about this blog as something other than just a time-filler, when they take a moment to let me know what thoughts the latest post inspired in them, and what they think I should write about next.  That conversation gave me the gumption to write this possibly self-referential post, celebrating in full the 1 year birthday of my blog, looking back on some of what I’ve learned in my first year of blogging, and highlighting my favorite moments.

image by Fiona Richards of Cartolina cards

This is the year that I really became a writer, rather than simply talking about writing all the time.  I did it quite simply, by putting one word down after the other.  Reading all 100 posts (so fun to get to 100 today!) again took me days to do, and I kept thinking, WHEN did I have the time to write all these words?  Art is outside of time.  It happens when we are least expecting it, in time we assumed would be consumed with sleep or talking to our parents.  The other thought I had was, “Wow, I am totally unembarrassed by this.  Some of this is actually really good!”  I found myself delighted by how much I adored the early posts that were exploring my faith journey or just telling the story of my life in small ways.  The blog is a strange blog of memoir, manifesto, and aesthetic responses.  Oh, and starting a (one-sided) beef with Zooey Deschanel: and a (again, one-sided) love affair with Mindy Kaling.  It wasn’t all celebrity-baiting, as I often used this blog as a platform to join collective discussions — about the economy and the Occupy Movement, about breastfeeding (too many to even link to!), and, finally, expressing archetypal grief about the Trayvon Martin tragedy.  I have received some flack for the latter, as people are quick to point out that not all of the facts are in.  To them I say, “A child has died.  So we make meaning, and we grieve.”  In fact, the post I am most proud of, that best brings together my passions of telling real peoples’ stories and empowering parents, is the one inspired by the response to Trayvon, Talking To Your Kids About Race.

Over the year, I didn’t write the blog with any arc in mind, but it has quite a progression nonetheless: exploration of faith, the chronicle of becoming a mother, the pain and suffering of having to leave my job, and the slow healing and emerging as a writer.  I started a writing group, including the woman I met at the protest, who has a blog of her own now!  I am in the Listen To Your Mother show with all those other amazing writers, and have even written a few freelance writing pieces.  Now I just need to figure out how to get paid to do all of this stuff.  In the meantime, I’ve also been writing about writing, like in this excerpt: Every moment, when I am going about my day, I am trying to do many things.  I am trying to make every action a prayer , from changing a diaper to doing a frustrating dance step.  And I am also, now, writing — with the curve of my shoulder, in the space between my eyelids and my skull, sending my words out into the ether to be heard… or to fall, creating something new in the collective consciousness, even if they never make it to the page.

Without meaning to, I have often been writing a statement of what I believe and how I want to live, like how I believe that your actions in parenting  can be a form of prayer, or this paragraph about the centrality of relationships in my life: If I accomplish nothing in my life, if I quit my career and while away my time here in some low-level service sector job, if I never write a book or produce anything “lasting” — but if I can keep my closest friendships, I will consider my life a success.  I have often thought that what I am on this earth to do is love, and specifically, to love my husband — that that is the reason I was born, to learn to love through this one person, as well as I can.  Since having Olive, that has expanded my sense of purpose, and if I totally fail at all externals and live a penniless existence in clothes from K-Mart but our bonds with each other survive… I will consider this a well-lived life.

But enough about me.  The most surprising, exciting part of this whole endeavor has been the responses from you, dear readers.  The comments have been simply incredible, and let me take this moment to make a quick plug for you to always take the extra step to comment HERE, on this blog, rather than on Facebook, because then I have a record of them, and can look back on your incredibly insightful responses for perpetuity.  But I am eternally grateful for those of you who have shared my posts on Facebook if you resonated with them, as that is the main way I get new readers!  And I love your comments, whereever they may be — on Twitter, in an email, or face-to-face.  Having them on the blog just means I get to return to them later, like I did last night.  I read through every last one of the comments you left, and there were truly some gems, ones I have internalized and come back to in my head again and again.  The Most Creative Comment Thread goes to the ones on Tent of Memories, my aesthetic response to the book The Night Circus.  The title for Most Helpful Comment Thread is a tie: the suggestions for dealing with a toddler on Here Be Dragons: The Toddlerhood Transition, and the ones for indoor rainy-day activities on Shake the World.

It has been a joy to hear from people I haven’t spoken to in years, having them write me things that are so heartfelt and real that you’d never read them in a “newsfeed”, but perhaps over a coffee and a scone.  I’ve also made some new friends from blogging, which is quite a welcome surprise.  But my favorite part of the whole thing is how it lays down a groundwork of vulnerability in my day-to-day interactions.  People will say, “I feel like I know you, since I read your blog, so I’m just going to be really open with you about this…” and it just deepens the conversation, instantly.  As a person who is always craving to hear what’s really going on rather than chat about the weather, I have totally loved this.  In a way, I have inadvertently created the community I needed to get through this difficult year.

So, this Blogiversary is a big, fat THANK YOU to those of you who have been with me thus far, cheering me on and adding your perspectives.  The commenters, the guest posters, and even those of you who just read these words — it all means so much more than you know.  I wish I could give you all the smashiest hug, then a whole piece about how awesome each and every one of you are, but for now this will have to suffice:

Yep, that’s my way of saying thank you: Mr. T & Nancy Reagan, together at last.  Thanks for an awesome first year of blogging, and here’s to another one of us being more vulnerable and real with each other… and having things like Grilled Cheese Spoon happen.

 

Trying to get a toddler to do ANYTHING: an exercise in creativity. April 6, 2012

Filed under: Parenting,Toddlers — rheabette @ 8:01 am
Tags: , ,

Words that don’t work with my 18-month-old daughter:
No
Stop
Come here
Olive Rose
This is our new rule
Please eat
I need a minute
Hold on
Wait
Keep walking
Give me some space
Watch out
Excuse me
Don’t touch your poop, ew, gross, please Olive… ugh.

 

We dared to put a tutu on her... she was not pleased.

What does work:
I’m gonna get your feet! (while she’s laughing, change that diaper)
Where’s Olive’s belly? (stops her in her tracks, lets you move her away from the dangerous item she was nearing)
Let’s go see Papa! (frequently a lie, the only thing I can say to get her to keep going on the street)
Olive do you want to draw? (aka Redirection 101)
Come sit in my lap (it’s amazing what food she will eat from my lap that she rejects in her high chair)

The hard thing is, those techniques are only really available to my husband and I when we are well rested and have a reserve of patience. However, Olive has not been sleeping/napping/eating well lately, so she’s crankier than usual, and so are we. It’s hard to rise above. But if you see me singing to Olive a very strange little song about why she needs to take a bath, it may not mean that I’ve finally lost it. I’m just trying to get the kid clean, and acting like Mary Poppins 90% of the time is the only thing that actually works! But no way am I wearing her hat.

 

Reviewing Anne Lamott’s new book: Some Assembly Required April 4, 2012

Ever wonder what happened to Sam Lamott, the best “character” in any of his mother Anne Lamott’s books? Well, he grew up, had a baby at the age of 19, and went to art school here in San Francisco.  My biggest question was answered in the preface — he has not resented his mother writing about him, in fact, calls it “the greatest gift anyone has given me”, and cherishes Operating Instructions as a special memory book of the first year of his life with her. He wanted to give his new son a similar experience, so he participated in the writing of his mom’s newest book: Some Assembly Required, a journal of her grandson’s first year.

It is mostly filled with the baby being an awesome baby, Anne taking lots of naps and making tons of meddling phone calls, and Sam stealing the show, as he always does. So, in other words, if you are very interested in babies, you may like this book, but if you are interested in the Lamott family, you will love this book. There are some total gems about parenting, like when she says it’s “like having a terminal illness, but in a good way.” Sam, wise beyond his years, says, “We as parents have the illusion that we make our kids stronger, but they make us stronger.”  Anne is the matriarch that I always want more from, a spiritual mother of many people of my generation, but one who refuses to go quietly into this role, choosing instead to expose her failings at every turn of the page.

Anne, looking like the queenly sage she and I both want her to be, in a photo by Mark Richards.

I have been reading Anne Lamott’s work since I was 19, finding comfort in her honesty about her shortcomings and her inevitable turning towards grace.  Over the past 12 years, however, I’ve been wanting her to… get a little better.  I’ve read time and again how self-centered, petty, and neurotic she is, and by this point, has all the church-going, therapy-having, and yoga-doing worked, like, even a little bit?!  I look up to her, and I want to see some forward movement, so I can have hope for a future in which all the hard work I am doing now pays off and I am less crazy.  I want her to like her body more at this point, to eat the damn chocolate cake already.  I want her to be less fearful of life and more aware of how awesome she is, not in a self-aggrandizing way, but with strong confidence.  The funny thing is, Anne wants this, too.  She is continually trying to be the person I want her to be, and failing comically at it.  But she still does manage to impart some wisdom along the way, in spite of herself.

At least Anne knows she’s insufferable, and she surrounds herself with fantastic friends, who do not take any of her bullshit. In one conversation, after which she has stormed out of Ash Wednesday service at her church because they changed the program and were doing things differently without asking her permission, she calls her Catholic friend Tom (who is a hilarious delight throughout the book, reminding me of my favorite gay priest friends) and asks, “Will you talk to me about Ash Wednesday?” He said, “Everyone hates you.” “I get so goddamn sick of myself.” “We all enjoy stories of your hysteria and shallowness.” And then he does talk to her about Ash Wednesday, buoying her up, even when she doesn’t deserve it, which is the gorgeous grace of our friends.

At one point, she writes about the concept of “radical becoming”, in the words of philosopher Henri Bergson, “reality as a state of radical becoming, constant flux, graspable only by intuition.” I guess I want more of that radical becoming from Anne herself, I want to see growth and for her to be some sagely crone of a woman now, dispensing advice about aging gracefully and how content she is now. It is absolutely ridiculous for me to want this. Anne is only human, and what keeps me coming back to her books is her intense honesty, so why am I tired of hearing it now? Is there a statute of limitations on listening to someone’s problems? Maybe she’s just more real than the spiritual leaders who seem to have it more together. In any event, I hope to hear more from Sam Lamott, even if I feel a little done with the neurotic tendencies of his mother. He is an entreprenuer, inventor, and artist, but hopefully he will find the time, as his child grows, to give us a little writing as well.

 

On Suffering April 3, 2012

Fr. Richard Rohr says that “suffering is any time you are not in control.” As a parent of a toddler, following that definition would mean I am suffering 90% of the time I am with her. This week, Joel and I developed a special handshake for the days that Olive tests our mettle but does not break us. It involves a chest bump. Since he had to work late last night and I parented solo all day, I tried to do it alone once I got the tiny tornado to bed, but it just got awkward.
As you can probably tell from my last three posts, this past week has been one of our family sorting through our grief about Trayvon, the implications for our culture and country, and trying to create art around it to shift our focus from the crazy racist things people are saying on the internet to a positive expression of our longing for a different level of discourse.

In the midst of this, I had the honor to go to see Robert Moses’ Kin dance company perform several pieces at the Yerba Buena Center for the Arts. Robert Moses has been a huge presence in Bay Area dance for the past 17 years, but I had never seen his work in the flesh until now. I sat with a group of dancers from ODC Dance Commons, where we all take classes from the imitable Dudley Flores, who was premiering with Robert Moses’ Kin for the first time. Michele (who you met in my last post) and I treated it like a Bethel AME church service, even though we were up in the balcony, shouting out “PREACH!” and similar exclamations of amazement and encouragement to the dancers below. Nobody seemed to mind our excitement, despite the very cultured atmosphere — everyone was totally rapt with the power and release of the dancers, the quick force of the choreography, and the interesting choices of music and spoken word that the dancers twisted and turned along to. It is hard to explain my relationship to my dance teacher. I’ve been taking classes from him for the past 5 years, and at this point to my friends I just call him “my muse”. He is an incredibly inspiring person, while also still being very human, allowing us to see the otherworldliness of his dancer capabilities alongside his goofy nature. I have seen him perform many times with different companies, but his body came alive with Robert Moses’ choreography, in a way I’d never seen in him before. It is strange to know a man’s body as well as I know Dudley’s, simply from hours of studying its movements to try to imitate them.

But I digress. The piece in the show that had me most in tears was not the shockingly powerful Speaking Ill of the Dead, which is about learning your loved one is not coming home from the war, but rather Biography, in which the dancers moved to excerpts from a 1961 discussion with James Baldwin, Lorraine Hansberry, Langston Hughes, Emile Capouya and Alfred Kazni. In the midst of the discussion, James Baldwin states, “To be a negro in this country and to be conscious is to be in a constant state of rage.” My heart caught in my throat, thinking of the rage and helplessness my husband has felt this month, as all of our consciousnesses have been raised to understand just how vicious the racial climate in America is right now. And I thought about the Richard Rohr quote I led with, about suffering being whenever you are not in control, and seeing how apt that idea fit here, way better than it does for parenting overall —  to be a marginalized person in this culture, to not have the power to even protect your family members, leads you to suffering and rage.

Van Vogh's Old Man in Sorrow

Another friend’s blog recently quoted Dr. Martin Luther King Jr., “Send your hooded perpetrators of violence into our community at the midnight hour and beat us and leave us half dead, and we shall still love you. But be ye assured that we will wear you down by our capacity to suffer.” Dr. MLK Jr. takes the experience of suffering and makes it meaningful, as an actual way to gain power. He turns the victim into a powerful figure simply through his ability to love and to suffer, to hold both at the same time. As I often remind myself in moments of pain, suffering grows the soul. People try to find reasons for it to exist, but I think we only have to look to Holy Week in the Christian tradition to find some meaning for it. As we entered Holy Week on this past Palm Sunday, I stood in church (for the one second I got to stand, not chasing after my 18-month old), and meditated on how God chose suffering. Jesus chose to go out in a unimaginably painful, humiliating way. I think that can teach me something about my own suffering, my own moments of feeling marginalized and misunderstood.

My husband makes fun of me for going through a “Pop Renaissance”, as I have been choosing a lot of pop music for the twice-daily dance parties Olive and I have in our living room.  A current fave is Rihanna’s song “We Found Love”, whose chorus goes, “We found love in a hopeless place”, a message I can definitely dance joyously to.  I think this is the point of Holy Week, to find love in the suffering, in the rage, in the powerlessness.  The best way I know how to do that is through making art, so I write, my husband creates songs, and, in the words of Pina Bausch, we “dance, dance, otherwise we are lost.”


 

 
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