thirty threadbare mercies

The outward expression of an inward grace.

Monthly Creative Wrap-Up: Write, Shake, Repeat. May 10, 2013

Following periods of turmoil, whether internal or on a national level, I often experience an outpouring of creativity.  Well, this was one of those months.  I wrote more than ever, danced my butt off, and my whole being positively zinged with the desire to create.

It’s been a good month for all things writerly. I received my contributer copy of the first anthology I’ve ever been published in, which I wrote about here. I didn’t know what to expect from this literary journal, but I was incredibly impressed with the caliber of poetry and essays it contains. The way one piece flows into another is so satisfying. It felt amazing to be in such good company.

The publication I write for regularly, The Equals Record, is moving into print, and they accepted a piece of mine for the inaugural edition. They launched their Indigogo campaign two weeks ago, and I hope that you’ll pre-order the first book there, as it is sure to be something you’ll want to hold on to. The editors have invested so much curation and beauty in the publication. And since I’ve been doing so much hustling for them behind the scenes, they offered me an Editor at Large title! So, if you contribute, in addition to supporting ad-free writing and design, you’ll be helping my debut as an editor.

Some of the lovely loot you can reward yourself with by supporting Equals in Print.

Some of the lovely loot you can reward yourself with by supporting Equals in Print.

I also got word that a piece of mine was accepted for the publication Literary Mama, on their After Page One blog series about parent writers.  So, head over to their site on July 1st to read words of mine, or go over there now as well to catch up on that inspiring series in advance.

The other exciting thing that happened this month was I got to participate in a lovely little act of flash mobbery in Union Square with my fellow dancers from Rhythm and Motion. It was the kick-off event to Bay Area Dance Week, which I look forward to this week every year – a chance to discover a new dance form, and be a part of a celebration of dance.

Shaking it in Union Square

Shaking it in Union Square

The event in Union Square was unbelievably heart-warming. The philosophy of the dance classes I take at ODC through Rhythm and Motion is: “Anyone can dance”, and people of all ages and all walks of life showed up to do this flash mob in the heart of the city. Seeing the old folks troupe and the children in their school blazers was particularly heart-pulling. When we had a chance to join in the action, I couldn’t stop smiling. With the sun beating down, sometimes going in the wrong direction, I threw myself into the fray and had a blast. It felt like the embodiment of what we practice in class — shaking our bodies no matter what happens — out in the world.

Another incredibly inspiring experience was going to the ballet with my friend Nehemiah, who is a student at SFBS.  He took me to see Cinderella, Christopher Wheeldon’s magical re-telling of the Grimm Brother’s version of the fairy tale.  Not only was Maria Kochetkova’s vulnerable dancing in the main role filled with risk and beauty, but I was blown away by the loveliness of this version of the old story, in which the mother watches over her daughter in the form of a tree that sprouts from her daughter’s tears.  I want to get Olive a copy of this version of the story, instead of the sanitized and mother-less Disney film.  The visual effects were so stunning yet simple that several times, the sold-out audience collectively gasped.  They are bringing back the production in 2014, and I highly recommend checking it out.  It has stayed with me all week, infusing my dancing and my parenting.

cinderella

I am grateful for all these chances to be a part of creative endeavours — I think it gives me space to be more creative in my play with my daughter, as well.  We’ve been inventing new games, playing a lot of “Queen”, and she’s been practicing her British accent (which is hilarious, her being two and all).  She even found her first imaginary friend. His name is Grover, and he’s from Mexico. They have to communicate mostly through art, since the extent of Olive’s Spanish can be contained in the song “La Araña Grandiosa”. But I think they do alright. The language of friendship is universal.

 

Being Two (The Blog, Not the Kid) April 11, 2013

Filed under: Blogging,Work at Home Mom,Writing — rheabette @ 6:53 am
Tags:

It’s my 2nd Blogiversary, and I’ll party if I want to. Which I usually do. Having a little celebratory post for this blog is me taking the time to celebrate being a real writer, since it all started with this blog.  Before I started blogging, in 2011, I was one of those people who read a ton, thought about writing a lot, but never actually did.  I was a writer without a pen.  This blog gave me my ink.

This year, I really stepped out as a writer, writing less on this blog and more on other outlets: performing in Listen To Your Mother, reading on KQED’s Perspectives, getting published in Geez Magazine and The Mom Egg, landing a regular writing gig on The Equals Record, and starting as a Features writer for Golden Gate Mother’s Group Magazine. I also took several writing classes with the Literary Kitchen, which got me writing tons of memoir-style pieces that I am excited to get out in the world soon.  I also submitted to hecka places that never wrote back or rejected me, but it’s all about putting myself out there, taking risks. A lot of my rejections really made sense to me, helped me see what I’m ready for, what I’m not, and what is worth my time and energy.

That’s why, just like last year was The Year of Enough, I want to make this year The Year of Worth. My friends that know the dirty little secret that I don’t get paid for ANY of my regular writing gigs keep sending me links to articles about knowing my worth and charging for my work. They are probably sick of paying for my drinks while I give my work away for free. But here’s the thing — I feel that these past two years have really been an experiment, seeing if I really have what it takes to be a professional freelance writer, learning from my mistakes and following my interests. The experiment has been a successful one, and I am now feeling ready to put a worth on my work.
big deal
In doing that, I want to spend a lot of time meditating on where I get my worth overall. This was the year I started Operation Rad Bod, with my pieces on Radical Body Acceptance, and my work on feeling like I am enough, just as I am. I really want to continue and deepen that work, not feeling like I’m worthy if I’m thin, beautiful, young, sprightly, or amassing wealth/letters after my name. I want to feel worthy simply because I am. My worth comes from within, from the spark of the Godhead within me, not due to my size in the world or how big of a splash I make in it.

That being said, the time has come to start gaining some income for all my output. Some of the writing gigs I have are completely volunteer-based, which I respect, and actually cherish. There’s something about people working together without the exchange of money that really appeals to me.

Then again, Mama’s gotta eat. So, although a lot of people have suggested I put ads on my blog, I realized that I really don’t want to do that. I want to write about whatever I feel led to write about, not do sponsored posts, and not gain revenue from selling someone else’s stuff.

Therefore, you may notice a little orange “Donate” button on the bottom right hand side of the site. I am ridiculously proud of myself for figuring out how to do this, so if the only thing that comes from it is me feeling like a little bit of a website rock star, so be it.

The button is linked to my Paypal account, and in the spirit of taking risks and asking for what my work is worth, I’m asking that if you’ve enjoyed any of my pieces in the past two years — perhaps the ones on Radical Body Acceptance, on Parenting Without Fear, on Marriage Equality, on Books, on Spirituality, or, the real reason you are all here: Cute Pictures of Olive — that you press Donate, to keep me going. And then, any time you really love a post in the future, clickity click it again, and buy me a cup of coffee (please note that coffee is about $4.00/cup here. I wish I were joking) for my efforts. I promise to keep the hits coming.

million ideas

Next year, for Year Three of Thirty Threadbare Mercies, I want to have a face-to-face party, where do creative things together and eat delicious delights. If you donate, you are confirming your invite to this party, a year hence. How’s that for planning ahead? You’ll receive a lovely invitation in March of 2014, with ways to participate in person or from afar. So, help this mother out.  With the money I raise, I’ll buy my own domain name (finally!) and give the site a makeover.  I thank you in advance, not just for donating, but simply for reading.  This has been an awesome year for me as a budding writer, but it feels really, really good to have my words be read.  Especially from the likes of all of you.

 

All Things New February 1, 2013

The start of February is something I have been waiting for for a long time. First of all, January was pretty rough. Our family got sick a lot, didn’t get much sleep, and I spent a lot of time musing on my failures and inadequacies. It felt like one long vulnerability hangover — I kept risking, but then doubting my leaps immensely.

I also have been burning the candle on both ends for many months — doing my job at the church without a Vicar (the fancy word we Episcopalians use for priest, aka my boss), spending my days in full-time Olive care while fitting in writing for the blog, The Equals Record, the Lit Kitchen, and the Golden Gate Mothers Group Magazine at nap times (which are increasingly shorter!) and after O-lo’s bed time. This has made me exhausted, but instead of going to bed early and making sure I am doing my self-care practices, I have been going out a lot, attending a lot of extroverted parties and events, and neglecting my poor body. I suppose I just want to have some fun to make up for all the hard work I’m doing, but it’s led to me dropping the ball on social engagements, double booking myself, and allowing a chaotic household routine.

However, I’m not going to get down on myself too much, because, as I read on a wise Facebook feed the other day (it’s not all rants and pictures of lunch!), “Relax, the last perfect person was crucified.”

Also, the end of having absolutely no time to do anything is near for me. On Wednesday, my daughter will go to preschool three mornings a week, from 8:45am-12:45pm. Everyone has been asking, “What are you going to do with all your time off?” to which I have been replying, “Just do the jobs I already have, only better, now that I will actually have some time to devote to them!” But I will also start some new projects, rather, take up some old ones I have put on hold, like working towards my MFT license. Which makes me want to throw up just thinking about lacing up my sneakers and re-joining that marathon.

Olive in front of her new preschool, ready to go in for a preview day.

Olive in front of her new preschool, ready to go in for a preview day.

Another reprieve coming next week is our new Vicar is starting!  Once she starts in earnest, I will have been doing my job as Children and Families Coordinator there for seven months without a boss.  The ad-hoc leadership of the church has done a great job of providing guidance where it is needed, but nothing can replace the relationship with one central person.  I cannot wait to be able to stop flying by the seat of my pants, and give the children and families a more grounded, supported approach to their programs in their spiritual community.

There is something new happening right now for every member of our family, all having to do with our work in the world. For me, more time to do a different kind of work, less circular and more goal-oriented. For Olive, the good work of learning the rhythms and culture of her Waldorf preschool. For Joel, a new position at his job, with more responsibility and freedom.

All of it is happening at once, which has been both exciting and a little overstimulating.

This is always the time of year when I find myself looking forward to Lent, which comes later this month. I know that is very odd, as it is forty days of temperance and waiting, but I feel like the holiday and New Year bustle doesn’t really end until I am forced to slow down by my Lenten practices. So, I am doing some planning about what those will be, and, I suppose, indulging while I still can!

There have been a lot of changes in my community lately, as well: people have lost family members, dissolved marriages, moved to a new town, and had babies. So tell me, dear readers, how do you face change and transition? Do you embrace it, or does it knock you off center for months to come? I am trying to do the former, while allowing the latter to happen, as long as I always come back quickly to the pulse of my life, which is always love.

 

The Downside to “Know Thyself” is Realizing you Suck at Stuff January 24, 2013

Filed under: Christianity,Community,Dance,Inspiration,Parenting,Personal,Prayer,Writing — rheabette @ 2:12 pm

Lately, I have had several days, thankfully not in a row, of feeling overwhelmed by life and inadequate in my duties. A recent sample conversation between a friend of mine and I:

Amanda: “How’s your morning been?”

Rhea: “Oh, the usual. Woke up at 5:30am and laid in bed listing off to myself all the things I’m not doing well. A little litany of my recent failures.”

A: “Ooh, that’s fun. I love when I do that. And then you end up feeling bad that you wasted all that time thinking about things you’re shitty at, when you could have been doing something about it.”

R: “Yeah, then there’s the shame for feeling shame, exactly. Total shit-shame spiral. Then I think about recent studies about how sleep helps you lose weight, so at the very least, I could have been sleeping in that time, shedding some extra pounds.

A: “Exactly! Instead you’re fatter, more of a failure, and now you have to get up and do your life!”

I love that she gets me. In fact, reaching out to friends about how I’m feeling has been my number one coping mechanism. It’s actually really working out, helping me get out of the loop quicker each time, shortening the recovery and getting me back into living my life. Which is, despite what my dumb mind tells me sometimes, a really friggen awesome life.

There’s this prayer that got me through my early twenties, with the loss of my father and struggle for mental health, that I’m sure you’ve all heard of, but perhaps you could, like me, use a little reminder? It’s my very favorite, and I’ll write it out for you here:

My Lord God, I have no idea where I am going.
I do not see the road ahead of me. I cannot know for certain where it will end.
Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so.
But I believe that the desire to please you does in fact please you and I hope that I have that desire in all that I am doing.
And I know that if I do this, you will lead me by the right road, though I may know nothing about it.
Therefore I will trust you always though I may seem to be lost and in the shadow of death.
I will not fear, for you are ever with me, and will never leave me to face my perils alone.

It’s by the contemplative monk Thomas Merton, and basically the gist of it is: I have no idea what I’m doing, but if you’re with me, God, I think I’m gonna be okay. Even when it certainly does not feel that way. At the very least, I think the attempt helps. Which is an important part for me — that the trying is pleasing to God, even when it feels ludicrous to me.

Thomas Merton, by iconographer Mark Dukes

Thomas Merton, by iconographer Mark Dukes

I have also been writing myself out of my bad moods. I am doing that right now. In fact, this whole blog may be an attempt to write my story in a way that builds community, increases healing, and gets me out of my self-involved pity parties and into the flow of life, which is, in essence, gratitude.

My recent writing has spanned many topics, from co-dependency and boundaries, to recollections of sweet times in college, to memories of my father. Just putting one word down in front of the other helps sometimes, even if I scrap it all later. I recently read an excellent Anne Lamott quote: “No one cares if you write or not, so you have to.” I have to do it for me.

The only part of the Merton prayer I transcribed above that I no longer resonate with is when he says he doesn’t really know himself. I believe that I do, now, after over a decade of therapy and nearly a decade of marriage (which is a mirror), know myself. I think that is the problem — I know myself so well that I am intimately familiar with the parts of myself that are not awesome. And since I’m working so hard every day just to keep my kid and myself alive and well, I’m annoyed that I’m unable to put more time and energy into making those parts of me that are lacking, any better right now.

So, that brings me, once again, to acceptance. To feeling enough. And, sweetly, to this quote by Raymond Carver, which is hewn into his headstone:

image by Lisa Congdon

image by Lisa Congdon

So that is what I am striving for, each day, no matter how many times I have to dance, pray, reach out, and write myself out of the pit.  To feel myself beloved on the earth.

 

Prolonging the Glow December 25, 2012

I want to squeeze the last few moments out of Christmas. Joel is putting Olive to bed, and I need to record our experience to keep it alive for just a bit longer. The build up to Christmas is so long and arduous. I want to live in that little place where we’re singing and laughing and clinking glasses, because otherwise the long preparations of Advent feel too difficult for the few moments of rejoicing.

It’s our first Christmas being home as our own tiny family unit since having Olive. Last year, we went to New England to see our entire extended families, and the year before that, my in-laws came to us. So, this is our first chance to build our own family unit traditions. It feels special and exciting and just the littlest bit lonely. And quite grown-up, in both the positive and more challenging aspects of that reality.

Last night, we went to church for our D.I.Y. Christmas Eve Pageant and service, in which we throw costumes on everyone who comes in, and include them in the pageant at the end. There were almost no glitches, and i was so proud of the young people of our community, who read their lines in voices clear and true.

She wouldn't wear an angel costume, but this vintage dress sufficed!

All dressed up for Christmas Eve church.  Big smiles for baby Jesus & co.

Of course Olive refused a costume, but we had a great time anyway. I thought to myself, “This is Christmas”, since everything that came today, the presents and food and company, is just the party after the fact. The actual event of Christmas this year was watching 7 year old Olivia play the part of “Ox”, and say her lines with such quality of feeling that I felt like I was watching Linus in the Charlie Brown Christmas show.

Our parish custom is for the family who has had a baby most recently to play the Holy Family, and I love the randomness this adds to the event. We’ve had a baby Jesus of African-American descent, baby Jesus as a girl, adopted baby Jesus, but this was the first time we had twin baby Jesuses! That’s our church, always pushing the boundaries on our understanding of Christ. What if Jesus had been born a twin? Everyone was calling them “the Jesi”.

The Holy Family 2012

The Holy Family 2012

I spent the entire day of Christmas Eve, in between morning dance class and the evening pageant, baking pies in my kitchen. It was very meditative, but I would have loved to have had one other person with me, at least. I pictured what it would be like if I had my sister, my best friends, my mom or my in-laws to keep me company while I measured and rolled and mixed. We had a brief reprieve from the rain, so Joel and Olive spent the day outdoors, and I missed them sorely. But today, we had three pies to show for my efforts, and they were absolutely delicious, if I do say so myself.  And we were not alone, in the eating of them, even though I was alone in the baking — we had several close friends to spend the day with, and I am grateful.

Last night, we left out cookies, milk, and reindeer food for Santa and his team, and the look on Olive’s face when she saw that they had been consumed was the very best present I could have received. I did, however, enjoy my new rain boots and the other generous gifts I was bestowed with, especially the down payment on another session of my writing class in The Lit Kitchen – the gift of writing is just what I needed!

My favorite moment of the morning was a simple one. I have a small Mommy confession: I hate bubble solution. Bubbles themselves are glorious, but Olive always wants to hold the container herself, and she inevitably spills it, and gets soapy slimy solution all over me and herself. It drives me batty! However, since Christmas is about children, not adults, I got over my slight aversion and stuffed Olive’s stocking with the very best kind of bubbles i could find, from Germany via Paxton Gate Curiosities for Kids. Then, once she opened them, I got down on the floor with her, put on some rocking Motown Christmas tunes, and let her blow bubbles to her heart’s content. These bubbles are really high quality, so a toddler’s furious blowing that usually merits nothing gives out big beautiful bubbles, and it filled the room with magic. We both started laughing hysterically, and despite the fact that she and I were soon absolutely covered in the slippery bubble solution I so abhor, it was my favorite part of the whole day.

That is the thing about Christmas – you prepare for months, and the pay-off is fleeting, no matter how bright. However, if you can be really, truly present with it in the moment, right there with the toddler asking to see the baby Jesus again, with the glow of post-meal satiation, or with a minute to watch the rain/snow/clear night air, you can capture that feeling in a locket and open it year round. Return to it, like infinity. Hopefully, that doing so will help me avoid the post-Christmas blues.

We couldn’t afford Christmas cards this year, as every penny counts for us right now, so here’s the best we could get for a family photo today, and we pass it on, with love and the hope for moments of infinity, for this year and beyond.

Merry Christmas and Happy New Year... Love, The St. Juliens

Merry Christmas and Happy New Year… Love, The St. Juliens

 

Writing Amidst the “Carnival” November 29, 2012

Frequently Asked Question: How do you find time to write, when you are a full-time mama with no childcare, and work a part-time job?
Answer: I don’t wait for the spare moment of solitude, I just jump in and write amidst “The Carnival”.

I’m not referring to the seminal Wyclef Jean album, I’m talking about the fact that I write most of my blog posts, articles, and freelance pieces with my whole family rumbling and tumbling all around me.

There’s often a children’s show on in the background, my husband trying to show me a you tube video or talk to me about what he learned in meditation last night, and I take frequent breaks to get Olive more milk or change a “boo-boo diaper”.

Recently a friend sent me this article about the routines of famous writers, and of course I found myself dipped into a vat of longing when I read about the writers who could devote hours of their day to their craft, taking breaks only to do some physical activity like swimming or running, returning to the page in the evening, perhaps with a stiff drink in hand.

However, I also read about several writers who plunge right in, like Ray Bradbury, who wrote without any quietude, in the middle of the living room with his family all around. That seems so right to me. And it is how I am getting it done.

My frequent writing posture: with a child attached to my body.

Writing in the midst of your family is not ideal — writing without the chatter of Go Diego Go in the background, or without my child trying to get her fingers on the keys would probably turn me into a novelist rather than a blogger/writer of short pieces. However, what does one receive by writing in the midst of family?  I’m sure that their presence informs my work, especially because I write about family life most often.

Because my family needs at least part of my attention, writing is easier than reading. Writing I can leave off and pick up instantly again, but reading takes a sinking into, a leaving of this world for another. So, perhaps I write more, since I have to write with my family around?

I don’t know. I always, always, always crave more time and space to write. I am trying to be grateful for having to write and live all at once.

So, I don’t have swaths and swaths of time to write. However, I have plenty of time to live, and since I’m often writing about my life, I feel the need to do things and really live in order to have things to write about! We have to follow our interests in life, to get the energy flowing, but then also be careful that we are not avoiding writing. Distractions of a happy family are pretty lovely.

When writing needs total incubation, I jot some thoughts down in the morning time and then wait until nap time to polish them and finish up. Sometimes Joel will take Olive to the store and I’ll steal 15 minutes to write.  Other times the pressure builds for days, and I have to make sure I set thoughts to page, even if it means staying up late, my brain positively on fire.

E. B. White also wrote with the “carnival” of his house all around him. “The members of my household never pay the slightest attention to my being a writing man — they make all the noise and fuss they want to. If I get sick of it, I have places I can go. A writer who waits for ideal conditions under which to work will die without putting a word on paper.”  That final sentence may be my personal motto.  I also love how he says that he’s grateful his wife is not “protective” of him. I would like to live in that kind of gratitude. There is an essentiality to it — that everyone is doing just as they please and no one is minded by the other’s activity, be it pedestrian or artistic.  My writing is not precious, or more important than doing a puzzle with my child.  We must get on with what is set before us, without much fuss about it.  For me, that is to write, and take my child to the park, and redirect her when she pushes her friend, and feed her insane amounts of bread and cheese products, and then to write again.

However, I love that Jack Kerouac is so superstitious and religious about his writing. Sometimes it’s true. You have to pray to Jesus, or Athena, or Saraswati, to preserve your sanity and energy so you can be present for your family. In fact, I think that’s a wonderful prayer.

Maya Angelou also prefers to write in the morning, “Then I go out and shop — I’m a serious cook — and pretend to be normal. I play sane — Good morning! Fine, thank you. And you? And I go home.”  I adore that she writes this out – I am often pretending to be normal as I’m internally clanging away inside with the desire to get back to art-making.  Gratefully, I’ve found a pack of nannies and a mom or two who I don’t need to pretend with, so when we are at the playground, and Olive kicks herself in the groin, I can say something like “Look!  My inability to potty-train my daughter saved her hymen!  Diaper Saves Virginity is an excellent Huff Po Parents article, right?” and they just laugh and don’t call CPS.

Listen, writing this all out is making me feel like it’s a freaking miracle that I ever publish anything.  It’s actually making me a little bit depressed, thinking about how little time I have to write.  I started this post a few days ago, and have worked on it several mornings in a row, and am only getting to finish it now because Olive is having her weekly time with her godfather, thank Jeebus for that.

However, I think having very little time to write gives me an urgency to do so.  I think about what I want to write about ALL the time, and when I have screwed up enough courage and language to actually get it out there, I dive in.  I leave all my doubts for after it is has been published, when I am usually consumed with about 15 seconds of total fear and vulnerability, after which I have to get on with my life.

Children leave you so little time for self-consciousness.  A pity, really.

Recently I was bemoaning our financial woes to my best friend and I pointed up to our apartment building and yelled, “This whole thing is held together by string and luck!”   Perhaps my writing career is as well.  String, luck, and a shit-ton of love and desire.  In fact, that’s what you are all getting for the holidays from me this year.  It will come wrapped in toddler drawings, tied with a ribbon of precious time.

 

“Am I a babe or a gargoyle?”: Finding the babe with Cheryl Strayed November 6, 2012

Filed under: Body Image,Books,Parenting,Reading,Writing — rheabette @ 4:55 am
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On the eve of the Election, I headed back to the Herbst, this time to see a writer who has skyrocketed to my list of favorite authors in the past year, Cheryl Strayed. If you haven’t heard me trip over myself with excitement about Wild or Tiny Beautiful Things, suffice it to say that her writing taps into the universal with such specificity that I’ve been sure at times she was transcribing things from my own head, only more eloquently than my brain usually works.

photo by Brian Lindstrom

I was even a little nervous to see her in the flesh, scared it would break the shimmery sheen of my admiration for and identification with her. As my friend and I watched the theater fill with an oddly monocultural audience of middle-aged white ladies, I was irritated that they were here too, clutching their copies of Strayed’s memoir. I felt inappropriately possessive of a person that I don’t even know. I want to share Strayed’s work with everyone I meet, but somehow I still want to save her as specially mine.
Thus belies the intimacy of her work. She makes the reader feel that she’s telling your story along with hers, even as the specifics of her life are laid bare, uniquely her own. She makes no apologies for the mistakes she’s made in her life (destroying her first marriage, tiny heroin addiction, credit debt), but takes full responsibility for them, in a way that is refreshingly free of self-deprecation.
The first thing I noticed about Strayed in person is her confidence. She speaks about her work, which is extremely personal, in a relaxed way that lets everyone in the room know that this woman knows herself through and through. She said, “As a writer, you have to say who you are going to be, and you can’t be anyone else.” She stated that it is necessary for a writer to be determined, to have a “ferocity of intention and spirit.”
When I write with the kind of raw honesty that Strayed is known for, I feel an amazing vitality while writing it, but then I walk around in the world for at least a week feeling like all the skin on my body has been peeled off, and I’m laid bare, vulnerable. She seems wholly at peace with such public revelations. Maybe it’s practice. She said, “What I have to offer is sincerity. The more I risked sincerity, the greater my readership grew.”
I loved what she said about mothering toddlers: “All of my independence had been taken away by these beloved tyrants.” This is when she commenced writing Wild, the memoir about her transformative hike on the PCT. “I started to write about a time that I was independent, totally alone, and self-sufficient. Everything I needed was on my back.”  Lately, I have been compulsively writing about my adolescent years, a time when I was living only for myself, which was not a charming trait but is so far from my life now that returning to it just feels right.
My favorite part of the evening is when she asked this question: “Am I a babe or a gargoyle?”, naming it “the central mystery of my life”. She was recounting standing in a bar waiting to meet up with a “hunky” man she’d met on the trail, suddenly self-conscious and feeling it could go either way when he saw her — would he be struck by her beauty or her ugliness? Don’t we all feel this way a lot of the time? That in one light, our flaws only add to our appeal, and in another, they completely undermine it? Later in the discussion she took this out of the physical, relating it to the decision you have to make as a writer. What I believe she was trying to get at is that when you are boldly putting your life down on the page, you will encounter no end to doubt, but you have to, at some point, choose to be the babe.
Strayed is known for writing and talking candidly about money. She grew up in a home without electricity, indoor plumbing, or separate rooms. “Being poor teaches you not to wait around to have enough money to do something.” I completely and totally relate to this. Whenever I have truly wanted something, I have plunged ahead, even though I have almost never been able to fund those desires fully.
The greatest one that comes to mind is the decision to have a child. My husband was sure that we should wait until we were more established in our careers and could afford to support a kid. My take on it was, “That is never going to happen! No one in my family has ever had the money needed to feel a sense of stability. We can’t wait for a day that will probably never come. Love won’t wait!” So, we created Olive. And no, we don’t have “enough” money to feel in any small way secure. But, as Strayed points out, looking back on her time on the trail, when she had considerably less money than anyone else out there, “I did have enough money. Because I finished the hike.”
I think that is how Joel and I will look back on this time of Olive’s early years. Everything in us is always screaming, “We don’t have enough money to cover our needs!” But really, we do, because we’re doing it. What is missing is that feeling of a safety net, and as Strayed so aptly put it, “Growing up poor gave me this gift of feeling safe in the world with only a dollar in my pocket.” Struggle, particularly of the monetary kind, brings within you a sense of self-reliance and resilience that cannot be bought.
Strayed quoted Grace Paley in saying that she “writes so she can taste life twice”. That is certainly my intention in writing this post. My friend and I felt like the reading/discussion, which was only a little over an hour, went by much too fast. I wish my evening with Strayed stretched out over the long night of waiting for Election Day. I was awoken at 3 AM by my daughter crying, and have been unable to get back to bed. I’m writing this in a silent city, the hum of the refrigerator my only companion. I’m trying to hold on to the strength and inspiration that seeing and hearing Cheryl gave me, by sharing it with you. I’m hoping it will get us through this day, come what may.

 

The Mad Farmer Lives! A Night With Wendell Berry October 30, 2012

It has been 12 years since I first read Wendell Berry’s Mad Farmer Liberation Front, and I’ve been devouring his novels, poems, and essays ever since.  Which is, actually, not enough time to consume all 53 volumes that make up his prolific output.  This is fine with me, as my to-read queue is fat and happy, contentedly waiting for me to get around to the next one on the list.

Last night, I had the pleasure of putting a face to the words, as I sat in a sold out crowd at the Herbst Theater as a part of the City Arts & Lectures Series to hear Mr. Berry answer questions and read from the three books he put out last year.  Ladies and Gents, our dear Wendell is 78.  And still, he puts out more books in a single year than some writers in their entire career.  So, how does he do it?

1. He has a “writing place”, which he describes as a physical space in which “nothing is linear or square or rational”.

2. He allows himself to be distracted, by nature of the window he looks out upon as he writes, looking up from time to time at the world outside.  He was once told to try staring at a blank wall while he writes, but he found that “not being distracted was the most distracting thing of all!”  Wanting to be in conversation with the world, even while writing so that he doesn’t miss anything, helps him stay connected.  ”I’d hate to be confined to a page!”

So, he leapt off the page last night, and I was warmed to find that his personality and demeanor perfectly matches the books he writes.  It lends authenticity to his words to hear his lilting Southern accent, witness the left foot slightly turned in to the right, and to listen to the calm cadence of his answers to the questions put before him.

“Work at ease” is a phrase that returns to him in both his farming and his writing, and he tries to keep an even pace in whatever he is doing.  This is a very important message for me to hear, as I am multi-tasking mama extraordinaire, and I need the “work at ease” mentality sorely.

I am drawn to Berry’s work because of his intimate knowledge of human relationships, and the way he writes and speaks about love makes sense to me.  Last night, he said, “I’m a little suspicious of people who tell me they love humanity.  Better to reduce it to one at a time.”  He responded to a question about what is his favorite part of the Bible by naming The Beatitudes, that he needs the message that loving God and loving your neighbor are essentially the same thing.  ”I don’t understand it, but I want to keep thinking about it.”

In San Francisco, Berry is certainly more popular for his activism, particularly with sustainable agriculture.  Most of the questions from the audience had to do with his work on the 50 Year Farm Bill and protests of coal mining in Kentucky.  I got quite an education in care of the land, something my urbanite brain does not consider very often.  It is something I need to think about more, because, as Berry said, “We’re destroying our country because of our unwillingness to imagine it.”  He pointed out that we are seeing less and less of our world, and are shocked when occurrences like Hurricane Sandy remind us that we live in nature and we’re not in charge, because the ads are constantly telling us that we live in a wish-fulfilling world.

He declaims the fact that we have no semblance of a land use bill, that says, “We love our land, and we want to take care of it, so here’s how we are going to treat it.”  And about the mountaintop mining that he protested, (“I tried several times to get arrested, but they wouldn’t!”), he has choice words: “There’s nothing under the ground that’s worth more than the little layer of topsoil sitting on top of it.”

I am always trying to relate Berry’s words to my city life, and I certainly had no trouble doing that when he talked about Wallace Stegner’s concept of Boomers versus Stickers.  Boomers are people who come to a place to make as much money as they can, then get the hell out of there.  Stickers are the ones who attempt to live within their means and dig in to their community.  This really hit home, as I have recommitted myself to my neighborhood at the very time that it was flooded with folks making massive amounts of money in the New Wave Tech Boom.  He quoted Wes Jackson, who said there is only one major in higher education: Upward Mobility, but there needs to be another one: Homecoming.

It is not easy, to choose to stay, even when everything is changing all around you, or, even worse, when nothing is.  Berry did not sugarcoat this.  He has no quaint version of hometown life, but instead talked about how in small communities, everyone knows your business, and your task is not to care about whether or not they approve.  The upside to everyone knowing everyone else’s business, he says, is that everyone knows who needs help.

There was a certain sweetness to the evening for me, as I was there as the guest of our church’s resident mystic, who had recalled me saying once that Wendell Berry was one of my saints, and invited me to come to the lecture.  Knowing I can’t afford such things, he paid for my ticket, and I got to sit beside his lovely partner and get to know her better.  I believe I was experiencing the aforementioned benefits of everyone knowing my business.

I left the evening with a question: since Wendell Berry knows so much about human relationships, and he knows so much about the land, are the two connected?  Does he understand people better because of his commitment to farming?  Am I missing out, by shunning all things outdoorsy, in learning about the one thing I care most about in the world, how to love people better?

Folks who are knowledgeable about the land — can you weigh in here?  What have you learned about relationships through your commitment to the land?  ”It all turns on affection”, Berry said, several times, quoting E.M. Forster.  It all comes back to love.

 

Lit Tremors October 14, 2012

Filed under: Art,Mothers,Parenting,Reading,San Francisco,Writing — rheabette @ 1:11 pm
Tags: ,
Any San Francisco writer worth the ribbon in her vintage typewriter sets aside a little time in The Busiest Month of The Year to attend a Litquake event.  This year, I chose one called Wine, Women, and Words: Amy Sohn and Katie Crouch in Conversation, which was held at the Contemporary Jewish Museum, and indeed consisted of ladies sipping libations and listening to language.  In fact, I think I just came up with a better alliterative title for the evening, but perhaps I’ll submit it for next year.
I love going to hear writers read their work, witnessing their bravery as they step out from behind the page and show up in person, hearing their voice with my ears rather than simply listening with my imagination.  I have also become totally addicted to hearing stories of mothers who are also artists, and are not willing to say that one or the other of those titles is what solely defines them.  For me, motherhood informs my art, and art-making informs me as a mother.
Before I became a mother, I liked to write, but once I had a child, I was struck with an irrepressible urge to get words down.  The need to write burned in me, and I heeded the call, starting this blog and seeking freelance writing opportunities.  The writers I heard speak the other night were writing as a career before they had their children, and it was fascinating to hear their perspectives on writing while parenting.  I appreciated that they didn’t say they had it all tied up with a bow, but were honest about their struggles, about how they are writing in the laundry room during preschool hours, ignoring their messy houses in order to create a different kind of order, on the page.
I went with a fellow Listen To Your Mother cast member, Rhiana, and we could relate to the conversation Ms. Sohn and Ms. Crouch had with the moderator, after reading their pieces.  We continued the conversation between the two of us over Asian-Fusion cuisine at a nearby restaurant, grilling each other on what topics of writing got us in trouble with our spouses, and what we want to write about next, even (especially!) if it scares us.  I decided to move on from the wine and order a drink that I had never had before, toasting my adventurous writing with an unfamiliar drink.  I got a Bombay Sling, which was huge, delicious, and gave me the feeling that everything I was saying was the exact right pronouncement to make at that time.
I brought my liquor-induced conversational skills home to my husband, and we had a perfectly coherent conversation about our respective evenings.  Then I announced that I was going to bed, and promptly passed out on the pillow.  When I woke up in the morning, I felt great, but suddenly realized that I had lost my clothes in the course of the night.
“Joel?  Where are my nightgown and sweater?”
“You don’t remember what happened?”
“No… enlighten me.”
“You took off your clothes, and then when I came to bed and saw that you had done that, I took off my shirt and crawled into bed beside you, which you were horribly insulted by and shamed me for doing. ‘I don’t know what you think you’re doing’, you said.  ’I'm going to sleep, keep your shirt on.’  So I did, and then you started talking in your sleep.  ’I'm so worried about finding a preschool for Olive.  Let’s just get Chinese take-out.’”
I had no memory of any of this.  I guess the Bombay Sling had a strange side effect that was only unleashed when the drinker fell into slumber.  Sneaky Sling!  I got out of bed and instantly remembered a bill that I had forgotten to pay for over a month, which was going to be overdue soon.  I found exactly where I had put it, and set off writing out the check.  So, despite the embarrassing results of the drink, it also gave me bizarre, sudden financial clarity, so I’ll call it a win.
I attended another Litquake event this weekend, but I didn’t drink anything intoxicating, which is wise because I had my two year old with me.  The LitCrawl happens all around my neighborhood, and Olive and I walked over a Paxton Gate’s Curiosities for Kids to hear young people as well as adults read their poetry.  Olive listened intently to exactly one poem, then ran around the store picking up all the loudest toys possible to try out.  So, we took off, but I hope some of the literary goodness sunk in.
I know it did for me — here I am, writing on my blog after a two-week hiatus.  Writing takes lots of rumination time, and as my drunken sleeptalking revealed, I have been very stressed out and overly busy lately.  I am going to try to slow down this week, and continue that act that I practiced at Litquake… the art of listening.
 

Back to School, Back to School, To Prove to Dad I’m Not a Fool September 7, 2012

Filed under: Art,Artists,Inspiration,Writing — rheabette @ 8:02 am
Tags: , , ,

Since graduating from my Masters program in 2008, I’ve heralded the return of September with considerable longing.  Eyeing the kids with their new backpacks bulging, my brain longed for a desk, a discussion, a lecture outline in chalk, and, glory of all glories, an open-ended question.  The truth is, I should be studying, but it is for an exam with absolutely zero thought-provoking questions, a test so mind bogglingly unintuitive that they change it every 6 months based on how many people passed it that season, not wanting too many folks to get their licenses.  I am in the final weeks of The Artist’s Way, and it has taught me, above all, to listen to myself.  And it’s good timing, too, since my priest moved away and my muse/dance teacher is out with an injury.  I’m having one of those “if you want a cake, bake it yourself already” moments, and so when I asked my inner learner what she was so curious about this Fall, I found myself scouting MFA programs and writers’ residencies.

What I found was: getting an MFA or taking off for a residency program does not work with my current priority, which is showing up fully for my daughter’s early years.  However, I began to ponder how I could create an MFA-style program for my own damn self.  I read this post by my friend and fellow LTYM alum Maggie Wells, and my heart leapt.  Could I possibly take a kick-ass writing class from my own kitchen table, working it around play dates and my part-time jobs?  I read Ariel Gore‘s How to Become A Famous Writer Before You’re Dead, just to make sure I wanted to take a class from her.  I found it so empowering that I scrounged up the cash (when you have no money and you really want something, sell some of your stuff and you’ll get there!) and joined up, my student heart awaiting what was to come.  So far, so fabulous — I’m loving the community of writers I’ve entered, and I’m writing more than ever.  I also set up some face-to-face meetings with writers right here in my community, to read our pages and connect about writing.  Through all of it, I am jumping headlong into my own MFA: the MotherFuckingAwesome Program.  Or, if you dislike cursing, you can always ask, “How’s that Masters in Fine Awesomeness going?”

We absolutely cannot wait for our goals to happen to us.  Recently I was looking at my life, and wondering if it was a series of “we’ll cross that bridge when we get to it” decisions, which has led me to find that a lot of those bridges have snapped in the meantime, and all that’s between me and the places I want to get to are great big chasms… and a shit ton of rope, ripe for bridge-weaving.  Like the character who inspired the title of this post, Billy Madison himself, I’m building my own educational program to shape my craft, based on connecting with other writers, saying yes to each opportunity that comes my way, and writing every day, no matter how shitty my first draft is.

Those aren’t my hands but they are seriously motivating me to clackety clack away!

I’m finding myself so inspired by other self-starters, people who are not waiting for official seal of approval to be who they want to be.  One of those folks is my talented friend Sydney Brown, who is launching a Kickstarter campaign to raise funds to re-vamp her visual art portfolio and commit to full-time art for three months.  She’s making thirty pieces of wearable art in thirty days to jumpstart this effort, and you can learn more about her work and her endeavor here: Transition: 30 Pieces in 30 Days.  It’s totally worth clicking on the link to see the charming video she’s made outlining her project, and be sure to watch ’till the end for a special performance!  If you find yourself similarly inspired by what she’s trying to do, consider throwing a few bucks her way – we scrappers need your support!

So, this year, I don’t have let Autumn pass me by in a haze of classroom-longing.  Instead, I’m getting my butt back to school, my own way.  How are you educating yourself these days, or seeking to meet artistic goals, on your own terms?

 

 
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